It’s been a few weeks since I saw Melt-Banana at Harlow’s, and for some reason I just can’t get their set out of my mind. Part of this is no doubt due to the fact that I actually got to see Melt-Banana; sure, they’ve toured the states many times, but keep in mind that I was living in the middle of Iowa up until a year ago, not exactly a hotbed for extreme and/or experimental music. Since we’ve moved to Sacramento, I’ve already had the pleasure of seeing a handful of bands I never imagined I’d get the opportunity to see without traveling great distances (Sargeist and Ufomammut immediately spring to mind), and the Japanese duo are probably number one on the “holy shit, I can’t believe they’re actually playing where I live” list so far.
With an album title like Grim, Hateful and Drunk, it’s pretty easy to guess what you’re getting from France’s Devilspit. Filthy, punk-influenced black metal is the name of the game here, so if you’re into similarly scuzzy shit such as Whipstriker and DeathCult, you best grab a bottle or twelve of your favorite rotgut and cuddle up with this disgusting tape, which is currently being peddled in a limited edition of two hundred by our pals at the venerable Caligari Records.
If there’s one thing I’ve learned about Sacramento in the ten months I’ve lived here, it’s that this city loves its doom and sludge. I’m sure as hell not complaining, especially when we get shows of this caliber; long-running LA sludge godfathers -(16)- descending upon the Starlite Lounge along with Oakland sludge/punk legends Brainoil, SF noise rockers Kowloon Walled City and hometown doom-lords-in-the-making Church was indeed a dream show for fans of all things slow ‘n’ low.
It’s been a few months since we last heard from the increasingly prolific Caligari Records, but fear not, because the label has recently released yet another slew of great tapes, the greatest of which just might be Seven Bloodied Ramparts, a reissue of the third album from obscure UK metallers Bretwaldas of Heathen Doom. Originally seeing an extremely limited physical release back in 2010, Seven Bloodied Ramparts might be a bit of an oldie at this point, but make no mistake, this is an album that deserves to be heard well beyond the handful of diehards that picked up on it the first time around.
How good is the new Napalm Death death album? Against all odds, this band continues to age like a fine wine, and Apex Predator – Easy Meat continues the unfuckwithable fifteen-years-and-counting roll they’ve been on since 2000’s Enemy of the Music Business. I pretty much said everything I have to say about the band’s late-career renaissance in my review of 2012’s Utilitarian, but it’d be downright shameful if I neglected to spill at least a little bit of digital ink on the stunning piece of work they’ve unleashed in 2015.
I’ve been listening to various forms of heavy music for a long time, and as the years go on, my attention span gets shorter and shorter, especially when it comes to choosing bands to write about. Basically, if your band can’t pique my interest within the first thirty seconds of the first song (excluding intros), consider yourselves SOL. This has made it increasingly difficult to discover new acts to cover, as it seems that much of the scene is currently plagued by a complete and total lack of ability to self-edit.
Caligari Records has only been active since 2013, but in that time the label has released an ungodly slew of excellent metal with no allegiance to any particular subgenre. Indeed, the only thread that seems to tie Caligari’s releases together is an ear for quality, and that quality continues to run over the cassette label competition, this time in the form of No Life, the second demo (first EP?) from Boston black metal bruisers Human Bodies.