White Spot – Everything Changes, Nothing Disappears (self-released, 2015)

a0749226604_10Those of you that read IG on the regular or follow me on social media know that I’m always up for some good noise rock.  As such, White Spot’s Father Songs proved to be one of 2015’s most pleasant surprises so far, a noise rock album that showcased mainman/madman Marcus Lemoine’s knack for concise yet devastating songwriting and an attention to craftsmanship not often seen within the genre.

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Melt-Banana’s joyful noise.

035It’s been a few weeks since I saw Melt-Banana at Harlow’s, and for some reason I just can’t get their set out of my mind.  Part of this is no doubt due to the fact that I actually got to see Melt-Banana; sure, they’ve toured the states many times, but keep in mind that I was living in the middle of Iowa up until a year ago, not exactly a hotbed for extreme and/or experimental music.  Since we’ve moved to Sacramento, I’ve already had the pleasure of seeing a handful of bands I never imagined I’d get the opportunity to see without traveling great distances (Sargeist and Ufomammut immediately spring to mind), and the Japanese duo are probably number one on the “holy shit, I can’t believe they’re actually playing where I live” list so far.

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-(16)- / Brainoil / Kowloon Walled City / Church @ Starlite Lounge, Sacramento, CA 04/25/16

039If there’s one thing I’ve learned about Sacramento in the ten months I’ve lived here, it’s that this city loves its doom and sludge.  I’m sure as hell not complaining, especially when we get shows of this caliber; long-running LA sludge godfathers -(16)- descending upon the Starlite Lounge along with Oakland sludge/punk legends Brainoil, SF noise rockers Kowloon Walled City and hometown doom-lords-in-the-making Church was indeed a dream show for fans of all things slow ‘n’ low.

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White Spot – Father Songs. (self-released, 2015)

a1772135258_10I’ve been listening to various forms of heavy music for a long time, and as the years go on, my attention span gets shorter and shorter, especially when it comes to choosing bands to write about.  Basically, if your band can’t pique my interest within the first thirty seconds of the first song (excluding intros), consider yourselves SOL.  This has made it increasingly difficult to discover new acts to cover, as it seems that much of the scene is currently plagued by a complete and total lack of ability to self-edit.

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Spü – Deluge (self-released, 2014)

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Brooklyn, New York’s Spü is a multi-headed beast; part molten sludge, part scuzzy black metal and part even scuzzier noise rock.  The trio recently self-released Deluge, a genre-blending maelstrom of filth that’s one of the most intriguing debut albums I’ve heard in 2014.  It’s rare that a young band emerges with their sound fully formed, but Spü appear to have done just that with this killer tape.

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Beastwars – Blood Becomes Fire (Destroy Records, 2013)

Beastwars-Blood-Becomes-FireI’ve been meaning to check out New Zealand’s Beastwars for quite some time, but I’m ashamed to admit that the band somehow got lost in the disheveled and disorganized avalanche that is my “bands to check out” list when their self-titled debut was released back in 2011. In spite of this grievous error, it would appear the metal gods chose to smile upon me anyway, as my colleague Craig Hayes recently hooked me up with a promo of the band’s second album Blood Becomes Fire on the band’s behalf. Just one spin of the quartet’s sophomore opus had me cursing myself for a goddamn fool for not getting ’round to them sooner, because not only is this bad mama-jama right up my alley, it’s one of the all-around best metal albums I’ve heard so far in 2013.

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