My first exposure to Sacramento’s Church came back in September of last year, when I witnessed them nearly level the Starlite Lounge while opening for the mighty Dispirit. Like a complete idiot, I didn’t write about them at the time in spite of being thoroughly impressed with their set, largely due to the fact that they didn’t have much of a web presence or any recordings to point IG readers in the direction of (I did however post some footage to my YouTube channel). But much has changed since that early show; Church have finally released their debut album in the form of Unanswered Hymns and rest assured friends, this three track, forty-five minute long beast is every bit worth the wait.
Things up to now have been quiet for San Francisco’s Pale Chalice. The band released their debut EP Afflicting the Dichotomy of Trepid Creation via The Flenser back in 2011, and I think we can all agree that in today’s metal climate four years is a freakin’ eternity between releases. But give just one listen to Negate the Infinite and Miraculous, the quintet’s inaugural full-length for new label home Gilead Media, and it will become readily apparent that Pale Chalice favors quality over quantity.
I haven’t really heard much straight-up death metal that tickles my fancy in 2015, so it was a pleasant surprise to get a copy of Negative Vortex’s Tomb Absolute in the mail from the ever-reliable Caligari Records. Indeed, the Oakland, CA-based quartet kicks up quite the storm of burly ‘n’ bulldozing DM on their debut demo, which will surely appeal to fans who can’t get enough of the genre at its most crushingly traditional.
If there’s one thing I’ve learned about Sacramento in the ten months I’ve lived here, it’s that this city loves its doom and sludge. I’m sure as hell not complaining, especially when we get shows of this caliber; long-running LA sludge godfathers -(16)- descending upon the Starlite Lounge along with Oakland sludge/punk legends Brainoil, SF noise rockers Kowloon Walled City and hometown doom-lords-in-the-making Church was indeed a dream show for fans of all things slow ‘n’ low.
Gore House Productions is on a mission to brutalize the living hell out of 2015. First they pummeled us to a pulp with Bloodscribe’s Prologue to the Apocalypse, now they’re stomping the bloody remains into the ground with Completely Devoured, a short sharp shock of an EP from Riverside, CA’s Hideous Rebirth. It’s ten-and-a-half minutes of chainsaw guitars and gristle-gargling vocals that manages to leave a mark in spite of its brevity.
Alright, you guys know I’m not much for “news bits,” but Sacramento’s Church are a band I’ve been super-duper excited about ever since seeing them open for Dispirit late last year, and now that their debut recordings are finally available on ye olde interwebs in the form of Unanswered Hymns, I wanted to make sure THKD readers had the scoop before all the big online metal outlets get a hold of this great band.
It’s been a quiet year so far on the slam/brutal death metal front here at THKD. I get a serious hankering for this shit every so often, and due to the lack of promos I have to admit I’ve been jonesing hardcore for the right band to come along and crush my skull with some ignorant slams. Just when I was about give up hope, my friends at Gore House Productions hit me upside the head with Prologue to the Apocalypse, the debut full length from Los Angeles’ Bloodscribe. Although the album clocks in at a mere twenty-six minutes, it has managed to more than satisfy my craving for a hefty dose of brutality.