Last year, Gainesville, FL’s Ars Phoenix put out one of the best darkwave albums I’ve heard in quite some time in the form of Violent Rain, a release that combined robotic synths with an icy, sinister vibe to create a delightfully dark yet catchy and at times even danceable take on the genre. I revisit the album often, so I was quite excited when the band e-mailed to inform me that they had some new material out in the form of a split with fellow Floridians Burnt Hair titled Shinju (“double suicide” in Japanese).
If there’s one thing I hate doing, it’s writing intros to interviews. Fortunately, Paradise Lost is a band that needs no introduction. The death/doom/gothic metal pioneers have been releasing great music for nearly three decades now, and that enduring legacy continues with their latest full length, The Plague Within, which is out June 1st via Century Media. Legendary vocalist Nick Holmes graciously answered my questions about their stunning new album via e-mail.
My first exposure to Sewer Goddess came back in 2013 in the form of Mutilation Process, a thoroughly unsettling live recording released on cassette by the always great Graceless Recordings. Ever since that initial taste of their harsh electronic depravity, I’ve longed to hear more from the band, but tracking down their releases is no easy task. Fortunately, they’ve opted to release Painlust, their most recent studio assault, through high profile noise/electronic/industrial label Malignant Records, making it much easier for schmucks like me to track down this half-hour long exercise in mechanized malevolence.
I haven’t really heard much straight-up death metal that tickles my fancy in 2015, so it was a pleasant surprise to get a copy of Negative Vortex’s Tomb Absolute in the mail from the ever-reliable Caligari Records. Indeed, the Oakland, CA-based quartet kicks up quite the storm of burly ‘n’ bulldozing DM on their debut demo, which will surely appeal to fans who can’t get enough of the genre at its most crushingly traditional.
I haven’t been able to find much historical information on UK doom mongers Sloth. The band apparently formed in London in 1999, but even Metal Archives doesn’t seem to know exactly when they called it a day. My attempts to find interviews with/articles on the band online have been utterly unsuccessful, and reviews of the album are also all but non-existent. Its quite a shame really, because The Voice of God is as exquisite a slab of soul-withering stoner doom as you’re likely to find this side of Electric Wizard.
With an album title like Grim, Hateful and Drunk, it’s pretty easy to guess what you’re getting from France’s Devilspit. Filthy, punk-influenced black metal is the name of the game here, so if you’re into similarly scuzzy shit such as Whipstriker and DeathCult, you best grab a bottle or twelve of your favorite rotgut and cuddle up with this disgusting tape, which is currently being peddled in a limited edition of two hundred by our pals at the venerable Caligari Records.
Philadelphia, PA’s Nihilistinen Barbaarisuus first came to my attention early last year when I received the band’s excellent debut full length Synkkä Tuuli for review along with the equally great Väinämöinen EP. The young band’s grim yet sweeping and melodic brand of icy black metal instantly grabbed my attention; it’s the kind of black metal that sinks its claws in instantly and drags you kicking and screaming into its frostbitten world, something that’s becoming increasingly rare as the scene continues to splinter in innumerable directions, often losing sight of what made it such a powerful form of expression in the process.