In early 2014, New Jersey-based black metal band Hercyn sent me a copy of their debut release, the excellent Magda. To say that I was blown away by the twenty-four minute, single track demo would be an understatement; this was the kind of gloomy, neo folk-tinged black metal I had been yearning for more of ever since Agalloch released their classic The Mantle back in 2002. A subsequent split with Thera Roya spoke to the band’s dedication to continuing to refine their sound, but it also left me wanting more. Fortunately I don’t have to wait any longer, as Hercyn are about to release Dust and Ages. Indeed, the band’s first full length makes good on the promise of the their previous shorter releases, delivering a pair of epic tracks (plus an intro and outro) that are easily the band’s most accomplished and fully-realized works to date. Curious to know more about the band’s inner workings and the creation of Dust and Ages, I sent the band a slew of questions which they graciously answered in great depth via e-mail.
If there’s one thing I hate doing, it’s writing intros to interviews. Fortunately, Paradise Lost is a band that needs no introduction. The death/doom/gothic metal pioneers have been releasing great music for nearly three decades now, and that enduring legacy continues with their latest full length, The Plague Within, which is out June 1st via Century Media. Legendary vocalist Nick Holmes graciously answered my questions about their stunning new album via e-mail.
After much trial and tribulation, I am excited to announce that the Summer 2014 issue of Backlit zine is alive.
I’ve spent a lot of time covering cassettes here at THKD, not just because I dig them, but because I truly believe that some of the best and most interesting heavy music today is being released by smaller labels who have embraced the format as an affordable way to bring the underground to the masses. As such, my relationship with several of these labels has become far more personal than just receiving an e-mail blast from some faceless PR company; their owners have proven to be incredibly personable and genuinely appreciative of the coverage I’ve given them. But, as deeply as I’ve delved into cassettes and as much as I’ve chatted with those who are in the business of releasing them, I still had many unanswered questions. What motivates them? What brought them to the format? At the end of the day, does the format even matter? In an attempt to answer these and many other questions, I gathered the gents behind the labels for a virtual round table discussion of all things tape-related.
Southern California-based label Gore House Productions recently sent me several of their releases for review, and one of the immediate standouts was Ready for Gore, the debut album from Oxnard’s Colpolscopy. The band employs a unique dual-vocalist approach that when coupled with their leveling low-end-fueled brand of brutal death metal creates a singular, instantly-recognizable approach to the genre. A full review of the album is coming soon to THKD, but in the meantime I couldn’t resist the opportunity to interrogate the quintet in order to get the full skinny on their beginnings, their motivations, and their thoughts on brutal death metal’s imagery and subject matter.
Back in 2012, South Africa’s Wildernessking came seemingly out of nowhere with The Writing of Gods in the Sand, an album that combined the progressive black metal maelstrom of Enslaved with the sweeping, epic attack of Primordial to create music that was as uplifting and cathartic as it was dark and heavy. After releasing a follow-up EP that same year, the band went quiet; a surprising move given the notoriety they’d quickly gained on the strength of those two excellent releases. Fast-forward to 2014 and the Cape Town-based quartet have broken their silence with The Devil Within, an EP that showcases the band at their most scathing; I got in touch with bassist/vocalist Keenan Oakes to discuss this new release and find out what the future has in store for the mighty Wildernessking…
Narcotic Wasteland is the brainchild of Dallas Toler-Wade, whom will be familiar to most of you as one of the driving forces behind death metal legends Nile. Far from being a mere side project, Narcotic Wasteland is a technical death metal juggernaut in its own right; their self-titled debut, which was released independently by the band on January 15th, is one of the best albums of the young year, balancing insane levels of musicianship with frightening brutality and gritty lyrics depicting the horrors of addiction. I contacted the band via e-mail requesting an interview, and all four members of the band graciously took time out of their no-doubt busy-as-hell schedules to answer my questions regarding their formation, the unique subject matter of their lyrics, how the debut album came together and beyond…